kawufei

nothing really forever

Richard Jackson

2009/06/18


 
 

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via \\\ by noreply@blogger.com (Acidolatte) on 6/2/09



Richard Jackson was born in Sacramento CA in 1939.
Lives and works in Sierra Madre CA, since 1993.


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Sources:
Galerie Vallois \ Hauser&Wirth
_

 
 

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Posted by Posted by kawufei at 11:31 AM
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Janine Antoni

 
 

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via \\\ by noreply@blogger.com (Acidolatte) on 6/7/09


Janine Antoni is born in 1964 at Freeport, Bahamas. Actually she lives and works in New York..




Janine Antoni (b. January 19, 1964 -, in Freeport, Bahamas ) is a contemporary artist whose work focuses mostly on process. She often uses her whole body of different parts of it, such as her mouth, hair, eyelashes, and brain as tools and with them performs everyday activities to create her artwork. For example, in Loving Care (1992) Antoni uses her hair as a paintbrush and Loving Care hair dye as her paint. Antoni dips her hair in a bucket of hair dye and mops the gallery floor on her hands and knees and in the process pushes the viewers out of the gallery space.

Sources:
Luhring Augustine \ Brooklyn Museum \ ArtNet

 
 

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Posted by Posted by kawufei at 11:29 AM
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Janine Antoni

 
 

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via \\\ by noreply@blogger.com (Acidolatte) on 6/7/09


Janine Antoni is born in 1964 at Freeport, Bahamas. Actually she lives and works in New York..




Janine Antoni (b. January 19, 1964 -, in Freeport, Bahamas ) is a contemporary artist whose work focuses mostly on process. She often uses her whole body of different parts of it, such as her mouth, hair, eyelashes, and brain as tools and with them performs everyday activities to create her artwork. For example, in Loving Care (1992) Antoni uses her hair as a paintbrush and Loving Care hair dye as her paint. Antoni dips her hair in a bucket of hair dye and mops the gallery floor on her hands and knees and in the process pushes the viewers out of the gallery space.

Sources:
Luhring Augustine \ Brooklyn Museum \ ArtNet

 
 

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Posted by Posted by kawufei at 11:29 AM
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Pablo González-Trejo

 
 

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via \\\ by noreply@blogger.com (Acidolatte) on 6/15/09



Pablo González-Trejo was born in 1973 in Sancti Spiritus, Cuba. Lives and works in Miami and Paris.








Statement
If what we are is based on the experiences we have lived, and the memories of these experiences mutate with time, then we are no more than just a metaphor of ourselves.

Sources:
Pablo González-Trejo

 
 

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Posted by Posted by kawufei at 11:27 AM
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Pablo González-Trejo

 
 

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via \\\ by noreply@blogger.com (Acidolatte) on 6/15/09



Pablo González-Trejo was born in 1973 in Sancti Spiritus, Cuba. Lives and works in Miami and Paris.








Statement
If what we are is based on the experiences we have lived, and the memories of these experiences mutate with time, then we are no more than just a metaphor of ourselves.

Sources:
Pablo González-Trejo

 
 

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Posted by Posted by kawufei at 11:27 AM
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Adrien DONOT

2009/06/16


 
 

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via \\\ by noreply@blogger.com (Acidolatte) on 6/15/09




Adrien DONOT on flickr.

 
 

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Posted by Posted by kawufei at 7:10 AM
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bruce nauman: 'topological gardens' at the venice art biennale 09

2009/06/14


 
 

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via Designboom - Weblog on 6/12/09


the entrance of the US pavilion where bruce nauman's 'vices and virtues', 1983-1988 is installed
image © designboom

approaching the US pavilion, you are greeted by bruce nauman's landmark outdoor neon sign
'vices and virtues', with words such as 'fortitude' and 'anger', 'justice' and 'avarice'.
flashing interchangeably, the words extend around the entire perimeter of the building.
hidden along the side of the pavilion, in a dark area of shrubs and bushes,
nauman's 'the true artist helps the world by reveling mystic truths (window or wall sign)' is illuminated.
a contrasting juxtaposition of brightly flashing lights, against the neo-classical architecture of the venue.
a large window on the side of the building allows visitors to peer into the exhibition space,
with his art occupying the rest of the space as a volume as opposed to a two-dimensional façade.
within the building, his sculptural and video work is exhibited.

the presentation of bruce nauman's 'topological gardens' at the venice art biennale has been
organized by the philadelphia museum of art in collaboration with the artist.
the exhibition presents more than 30 of the artist's works, lent from public and private collections,
some of which the artist has adapted and redeveloped specifically for venice.

bruce nauman has won the golden lion for best national pavilion at this year's biennale.
'fortitude' flashing alternately with 'anger'
image © designboom


'temperance' and 'gluttony'
image © designboom


'justice' and 'avrice' / 'envy' and 'hope'
image © designboom


image © designboom


the flashing neon words wrap around the building
image © designboom


'the true artist helps the world by revealing mystic truths (window or wall sign)' hidden on the side of the pavilion
image © designboom


one has to pass through some trees and bushes to view this work
image © designboom


'three heads fountain (juliet, andrew, rinde)', 2005
made from epoxy resin and fiberglass, wire, clear hoses, immersible pump, rubber lined basin, water
image © designboom


two sets of heads act like fountains, spouting water into a large basin of water
image © designboom


image © designboom


'double poke in the eye II', 1985
made from neon tubing on aluminum monolith
image © designboom

the comical 'double poke in the eye II', has the flashing neon profiles of two people poking each other in the eye.


sequences of eye poking
image © designboom


more eye poking action
image © designboom


'fifteen pairs of hands', 1996
white bronze, painted steel bases
image © designboom

fifteen pairs of hands, interact with one another, like a forest of hand gestures.


touching fingertips
image © designboom


interlocking hands
image © designboom


image © designboom


'four pairs of heads (wax)', 1991
wax, resin, rebar and wire
image © designboom

a mobile of four pairs of hanging heads, are arranged in unusual ways, with odd facial expressions.


each head is cast in wax
image © designboom


an upclose look at the facial expressions seen on the hanging heads
image © designboom


'five pink heads in the corner', 1992
epoxy resin and fiberglass
image © designboom

in one corner, five pink heads are stacked one upon the another.
once you approach the heads further and catch a glimpse of their profile,
each individual head is sticking its tongue out into the corner of the room.


'hanging carousel (george skins a fox)', 1988
color video monitor installation (with sound), video player, motor, steel and polyurethane foam
image © designboom

a large carousel in which the form of four unidentifiable animals and a video monitor hang down,
rotate around a room. on the screen, a man named george is seen skinning a fox with his bare hands.
the polyurethane animals on the carousel speak of the real animal which is being skinned on screen.


an unusual creature
image © designboom


image © designboom


the hanging 'skinned' forms, are reminscent of a butcher's shop
image © designboom


a video of man named george skinning a fox, is played on the video monitor
image © designboom


image © designboom

bruce nauman (born 1941) is often cited as a catalyst for the recent shift in much
international artistic practice toward conceptual and performative uses of language
and the body. nauman's video, installation, drawing, sculpture, printmaking,
photography and neon lighting, engage mundane situations and interpersonal communication,
only to subvert them through paradoxical visual and linguistic manipulation.

 
 

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Posted by Posted by kawufei at 2:49 PM
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